Troy is inspired by the Iliad in the same way that dog food is inspired by people food; we knew that. I've had my say about that.
Tonight I got to see it for free -- I went as interpretive commentator for some people at work, and don't worry, we sat in the isolation row all the way down the front (differently-abled companion row, 'scuse me.) And it still drove me up a tree to sit in a hornet's nest while listening to ABBA's greatest hits rendered on kazoo, but there's nothing I can do about that.
(Questions included Why are they burning that body?, Where did the Greeks go? and the hey-now-you're-an-all-star favorite, Wait, is he supposed to be doing that? when Hector gets his taxi ride around the city walls, side of extra sand. And I was rooting for Hector, dammit, as much as anyone can who knows the ending; so I near smacked the person.)
Hector is really all you can root for, unless you're a pervy fancier of the tricksy Odysseus.
What's tricksy in Greek?
Anyway, it brings me to the reason for this post. Gulp.
Five Good Things About Troy Duly Noted Upon Re-viewing
- Odysseus. Sean Bean has the chops, y'all.
- Hector. Hector with his wife and lion-gnawing baby son, Hector leading his men from the front, Hector when Paris clutches his ankle like a gibbering sanctuary-seeking pansy, and Hector looks right at the Pillsbury Doughboy, I mean Menelaos, and he's like, Bring it, bitch! even though Menelaos is twice his damn size.
- Actually, the look on Paris' face as he clutches his brother's ankle and gibbers. So priceless!
- Tumbleweeds of Beach Death. (Does this go back to Hector?)
- Briseis, sort of, because she should have been Helen and really, they should have switched parts.
That is all. No, really.