I fell asleep translating Violeta's poem. Yes, this happens a lot. Head on notebook, commence drool. But this time... this time...
Listen to me, this woman did nothing in her life but read, and write, and speak, and be brave. She kicked the quotas, and she made Yiddish rhymed verse roll over and be her bitch.
Okay, I'm being a little narrow in focus, but I'm telling you. It happened in my sleep.
Shprikhstu mir oyf Prinzen, da'n dayn troyme shprintzen;
far un Reyd mir bett'len, als kann ikh ayngeb.
'Speak to me of princes, of what runs through your dreams; beg a tale from me, all I have, but I can give it to you."
So, I obviously read too much Peter S. Beagle and heed too much of people's meter, because I dreamed, and it turned into this, and I was sort of humming along. Here, see, it goes.
Oranges and cherries, sweetest candleberries,
who will come and buy? Who will come and buy?
Songs, they're songs, Violeta was writing songs.
(collects Lexikon, notebook and pencil and clatters off like an insane person to get back to this)
Eeeeeeeeeee!
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I am deeply, darkly envious. Did he have hair like a wild nimbus even then? Oh, tell me.
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And I remember him talking about Molly Grue--he said he had no business with a character that good--just held on for dear life when she came to him.
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Sigh. So cool. So very, very cool.
(You seem to have lived a lot of a life, though. While this is not a concept on which I am unclear, I am impressed.)
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Meeting Peter was not really life-altering though. I remember a lot of things he said--like never try to live on your writing, checks can be 5 figures and they can be two--but I was already Writerkund...
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Also, you type comments wicked fast. Fiendishly fast. Ah, the benefits of LJ marriage: astute commentary, when it can be spared from theory papers.
I never could be anything but a writer -- I'm a wreck with heavy machinery, 's for sure -- so time will tell, for me. The book's done; now I just need to find a really quirky home for it. Also defend it to a bunch of grownups who are PhD's in Picking of Nit. It's fun! ....ish.
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The people at Bantam want to see my book of fairy tales, as my publisher told them about it while they were discussing my imminent first novel. So I have to clean it up a little and send it to him, so he can pdf it and send it to the big boys. So I'm editing.
What's your book about?
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Short-story mosaic cycle. 78pp without attendant footnotes and thesis-based mire. Holocaustish. Not terribly depressing as far as gore or anything, however. I just write people who are a weensy bit fate-fucked. Also, mosaic means I can play with linear time like I'm Mrs. Which.
And when I saved your What Did You Do With Avalon, Get Lost In the Mists and Beaned By An Apple? paper, it did not have your email address on it. Deep sigh.
Oh, and that icon you made for Andrea, with Morgan, is it a P.J. Lynch illustration in the background?
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HA
darlingblue@gmail.com
Which icon?
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(Wanna be a clerk of necromancy. Strikes me as so much more profitable in the long, long, long run than coffee-shop manager).
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I don't even remember where I got that--it's a pre-raphaelite paiting.
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Arthurian novel + second fairy tale book in series + finishing manuscript for fall poetry collection + co-author paper for summer conference on the humanities.
And that's just the summer.
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